Monday, 30 July 2012

Domaine de L’Hortus Tasting Notes

Domaine de L'Hortus bottles


Domaine de L'Hortus Tasting Notes

Since first visiting the winery in around 2002 I have a real love for this, the location and the family carefully making it. It is a gem, and despite the slow rise in price I am delighted this remains really excellent value. The magic is partly that of beautiful Pic Saint Loup itself, where in the summer the air is rich with thyme and scents of the garrigue. There are few other wines that manage to transfer this unique combination of aromas right into the bottle such that tasting it is like being back there again. Tasting it again always makes me wonder why I bother drinking anything else.

Domaine de L'Hortus Grande Cuvée 2008 (Pic Saint Loup, Coteaux de
Languedoc, France)
Stood for several days and decanted over an hour before serving. Served cellar cool. Medium ruby. Immense heady nose of perfume rather than power – young, rich red fruits and thyme. Carries on through to the palate where the depth of concentration is just beautiful – like tasting liquid garrigue. Full and expressive but not over-powering in any way. Good length with soft finish. Drinking wonderfully now but still young. This probably has 5 years plus ahead of it, but the trouble is that lush youthful garrigue quality will mature into something softer – so while it won't deteriorate you have to drink this when its showing the style you prefer. This cost around £15 from a wine merchant in France. Spectacular. This will be up there in the running for one of my wines of the year. 13% alc. 17+/20. NB. Three-days after opening this was completely holding its own and drinking beautifully without any hit of
fading. Monumental should describe it, but perhaps isn't appropriate as its really more contemplative and delicate than that.

Domaine de L'Hortus Grande Cuvée 2000 (Pic Saint Loup, Coteaux de
Languedoc, France)
Opened with the previous wine. Fascinating contrast. Not lost as much colour as one might imagine. Main difference is the striking lack of aroma on the nose. Very closed, only faint hints of anything in comparison to the huge sensory character in the 2008. The palate is more delicate and subtle version of the 2008's liquid garrigue. It's all still there, but just held back and low key by comparison. The palate is otherwise hinting that it might be at the end of the plateau, but it remains enjoyable and I would say more balanced than the 2008. Tannins really faded but the fruit still there – for now. I think this is beginning to tire out. Drink up. 13% alc. 16.5/20. NB. Second day after opening this was alive and well but by the third day had faded on the plate as well.

Friday, 13 July 2012

Mas de Daumas Gassac: the family behind the label

Mas de Daumas Gassac
The Family Behind the Label

By Dr Edward Fitzgerald


Looking out the car window into the September sunshine six years seemed like a long time ago, but not much had changed.

I remembered my first contact, with the Guibert family, the owners of Daumas Gassac, when as a University student new to all things wine, I found myself heading on holiday to the baked slopes of the Languedoc. Keen to explore the regions vineyards, I dropped them a simple note, “can I come and learn about your wines?”

Of course, I didn’t expect much of a reply. Perhaps someone from marketing or a secretary might get back to me eventually. Certainly, the leading wineries of Bordeaux or Barossa might have some small visitors centre with which to offer a commercial welcome. But surely not even this in the depths of the Languedoc?

Daumas Gassac always was different though. The fairy-tale story of their winery has been told many times before; of the chance discovery of a unique soil, of the work to produce - as Hugh Johnson puts it - “the one first-growth estate of the Languedoc”. They managed to sell the unsellable at a time when the wines of the Languedoc were mass produced vin de table of the most forgettable proportions.

So when I received a personal reply from Samuel Guibert welcoming me to their mas I was surprised. Yet this human touch has always made their wines special.


We turned the car off the tree lined “D” road and followed the single-track lane away from civilisation into the depths of the scorched garrigue scrub. Behind us, the hills of the Montagne Noire, rose precipitously from the Mediterranean coastal plain. In the clear September air there were distant views of the mountains of the central massif. Outside, the constant noise of crickets, just as it had been six years before and probably always had been. Time moves slowly in these parts of southern France. For most of the year it is too hot to do otherwise.


Daumas Gassac nestles in the foothills of the Black Mountains, hidden away in the Gassac Valley some 35 kilometres outside Montpellier. In 1970 Aimeé and Veroniqué Guibert, owners of a leather glove factory in Millau, started searching for a place in the country.

The only property in the Gassac valley, the run-down little mas of the Daumas family, was not for sale but the frail elderly sisters who occupied it could live there no longer. With no family they were keen to move to nearby Aniane. Aimeé and Veroniqué fell in love with and bought the tumble-down farm, helping the Daumas sisters relocate to the local town.

The precarious self-sufficiency of the farm meant a few old olive trees and vines were already planted, but Aimeé dreamt of growing vines for winemaking, though with no great ambition for a vin de garde.

Following advice from the locals and experts in Montpellier, Aimeé read the treatise on the origins of wine quality by Professor Enjalbert, the famous wine geologist. With typical flare, he wrote and persuaded the Professor to visit the old farm in the summer of 1971. The rest, as they say, is history. Professor Enjalbert was amazed to identify a unique terrior - a soil of powdered Mindellian limestone and a balanced microclimate in the valley quite different from the hot plains just a short distance away.

The Guibert family set about planting a vineyard of cabernet sauvignon vines the following year and in a second master stoke convinced, with not inconsiderable effort, the Bordelais Professor of Oenology, Emile Peynaud, to advise on winemaking. The first vintage was 1978, the year of my birth.

As we wound through the hills to Daumas Gassac, we caught an occasional glimpse of the old farmhouse on top of the low rolling hill. Suddenly, amongst the scrub, a vineyard appeared. Cut out amongst the natural flora, their vineyards are carefully placed to blend in with nature, almost to be a part of it. At the edge of the vineyards, the cut earth still shows the glowing red soil that helps make this place so special.

Arriving at the winery the smell of the garrigue was all enveloping; herb, flowers, thyme hang rich in the air. Today there was another smell in the air - the harvest finished yesterday, now fermentation had started and the air was full of the aromas of wine must!

We’re met by Aimeé Guibert himself. As you could imagine from someone who was so persistent in attracting the greatest wine talents to his embryonic idea, he has a certain Gallic exuberance about him. He bounces down the stairs with his arms held out to offer the warmest of welcomes. Eighty three years of age, acting like 43, and not looking a year older than when I last met him. He has one of those expressive faces, well lived in, though a sparkle in his eye that makes you think we would still happily phone up any Professor anywhere for help if he needed it. Only he doesn’t anymore. This year is his thirtieth vintage at Daumas Gassac, and time has taught him well.

He apologised, his eldest son Samuel is late coming back to join us. He’s on a ‘very important walk in the vineyard and can’t be disturbed’. When he does arrive, Samuel confesses that yesterday was his wedding anniversary and he’d taken his wife for a romantic walk through the vineyards after spending last night celebrating. More than that, he’d even made sure the vineyard harvest was finished especially so he wouldn’t be disturbed, “to show her my love” he says with a broad grin. The Gallic charm of Aimeé is even more fine tuned in black-haired his son.

We wander out into the garden, which merges seamlessly with their oldest vineyard, Peyra Fioc. Sitting under the trees the temperature is cool, shaded from a still fierce September heat. Their dog, a local stray, lollops over to join us, looking for attention. This is not a place of stresses; this is a place in touch with nature.

Samuel represents the future generation of the family, but captures all of his fathers passion and enthusiasm. Set him off talking about a subject and he speaks so strongly, with such feeling, you’re compelled to listen. I mention how well his father looks, and the obvious quip comes back fast “it’s the wine!”

Talking with Samuel about the family’s philosophy is an animated conversation. More than many, the Guibert’s have adopted a very holistic attitude: the wine comes from the land, they are simply there to guide it. But there’s more to it than that. They firmly believe in the culture of wine. Samuel argues that they have never had their eyes set on the top dollar and that despite their origins they have never wanted to be garage winemakers. Certainly their quantity of production would rule that out these days, but they never want a wine that “is made to talk about but not to taste”.

Their winery is open to everyone, as I experienced all those years ago visiting as a student. Samuel recalls the early days at wine fairs, when his mother would welcome a student to the stand just as warmly as millionaires. This welcome is not just reserved for customers. The pickers, heading off home to Spain today, will all be back next year. The Guiberts treat them as part of the family, sharing their food and wine with them as the harvest work is done. Many are members of the same families and have been returning to work here for years.

Daumas Gassac wines now sell at a premium in France, with a significant auction market throughout Europe for the older wines. Their red is a true vin de garde, needing time to develop and express its cedary, leather and garrigue notes that have made it so famous. For them ‘medium term ageing’ is 15 years, with a great vintage easily reaching its thirtieth birthday in fine condition.

Yet, given their philosophy of accessibility, the wines are still offered directly to clients en primeur every year at a tiny fraction of a good Bordeaux. “We want our wine to be drunk and to be available” Samuel adds firmly. The recent two years of relative drought (relative, as the Gassac valley microclimate always ensures some ground water) means that production of the white wine has been significantly lower. The yields (about 21 hl/hec in 2007) are fine for making a great wine now, but after several years of low rainfall next year may be a problem financially. For now, instead of raising prices they simply cut allocations. In fact, the en primeur price hasn’t been raised years.

Samuel is now on his seventh vintage, having started winemaking in 2000. It’s a family affair, with himself, his father and brother running the show together with their cellarmaster. His father is still very much involved and probably always will be. “He enjoys it too much” jokes Samuel, though he acknowledges they will have their disagreements. Despite that, he knows he has much to learn from his father’s experience.

With the conversation turning back to wine culture Samuel becomes more animated. He believes that “there is something of the character of the man in a great wine. You can taste something of the personalities of the people who made it”.

The family know they have a great terroir but without the right people to make the most of it, it would be nothing. It’s this link to the people and the land that the family are keen to promote. “Daumas Gassac is for people who enjoy the culture of the vine. With millions of bottles of wine made every year you start to loose sight of the person making it”.

The proof is in his own cellar, he tells me, where the majority of wines are those of friends and people he knows and respects. They are concerned that many wines are becoming a choice between technology or terroir, that wines are losing their individuality and personality.

“The winemaker is an artist”, Samuel asserts, pausing for a second, perhaps fleetingly concerned that his passion is not understood. “Not Van Gough, but someone who paints a picture with whatever they have”.

For the Guibert family, the picture is clearly painted in every bottle of their famous wine.

Dr J.E.F. Fitzgerald - Copyright 2008

Chardonnay or Chablis? Putting some class in your glass

Chardonnay or Chablis?
Putting some class in your glass

By Dr Edward Fitzgerald


You start to fluster. The hairs stand up on the back of your neck. The wine waiter is leaning over you in the opulent restaurant whilst your beautiful other-half sits opposite, both awaiting your imminent choice from the wine list. Only the list could be written in a foreign language, for all you know. Chardonnay or Chablis, Claret or Haut-Médoc? Was the 2000 a better vintage or the '98? And what goes with lamb? James Bond would know what to order. I don't! Help!

The past fifteen years have seen a huge revolution in the wine drinking habits of the English. Once the preserve of the professional classes, wine consumption has jumped enormously, driving a new economic boom for wine producing regions around the world. The English are renowned for having a wider selection of wines available than any other wine consuming country. Auction houses like Christie’s and Sotheby’s keep England at the centre of the world's fine wine trade. Oxford alone has supplied the majority of the most recognised and respected wine writers.

But do any of us really know anything about it? Certainly we all like to think we do. But does the average Joe Public picking up a bottle from the supermarket shelf stop to consider anything more than the label or price? Should they?

Wine is a romantic subject; it captures the senses, relaxes the body and seduces the minds of those who enjoy it. Taking some time to stop and learn a little about what's in your glass can add to that enjoyment greatly. And let’s face it; it always looks good at the dinner party table to have some background knowledge of your host's precious bottle.

What's often overlooked is that wine is also an academic subject - there is so much to learn about countries, regions, producers and vineyards. And every year a new vintage shifts the goalposts - some regions excel, others exsanguinate. But best of all, wine is a practical subject - the only way to learn is to taste the wines and visit the regions, not a hardship when most vineyard areas are in some of the world's most dramatic and beautiful countryside.

Learning just a little of this goes a long way to decoding the labels in Oddbins and restaurant wine lists. Before you know it you'll be talking tannins and tastes. Then you've caught the wine bug! So in order to speed your way towards this blissful nirvana, here follows ten top tips to guide you on your vinous travels:

1. White wine grapes
After selecting the vineyard, the winemakers’ choice of grape is the main factor determining the character of a wine. From tannic and taught to fine and fruity, each different grape variety brings its own tastes and flavours to your glass. Chardonnay is the one white grape everyone knows about. From Bridget Jones quaffers to world-class Burgundies, this great grape produces reliable, soft and buttery wines. The problem is that is really does grow everywhere, to the extent that serious wine drinkers have formed the ABC Club - Anything But Chardonnay! Their antidote to this ubiquitous vine is Sauvignon Blanc, which makes crisp, acidic wines with a lovely aroma that's been likened to cats pee on a gooseberry bush! But for those that want move beyond the supermarket there are some wonderful wines to discover made from grapes you'll never have heard of. Try Viognier, which makes luscious, thick white wines with a captivating scent of blossom and apricots.

2. Red Wine Grapes
Red wines benefit from the tannins crushed out of the darker grape skin, giving the wines a deeper colour and structure. Cabernet Sauvignon (Cab Sav, as it is fondly known) is the original stalwart of Bordeaux. Now grown around the world, King Cab is often thought of as the noblest of the red grape varieties making dense, tannic, blackcurrant flavoured wines that age gracefully. Syrah (or shiraz as its called in Australia) makes up for in power what is might loose to Cab Sav in finesse. Black wines with a smoky, leathery nose, these pack much more punch on the palate. Pinot Noir is a wine that people fall in love with. Its light colour belies a perfumed nose of red fruit and confectionary, or earth and farmyards if it originates from Burgundy! These are the most famous grape names you'll see on the supermarket shelves, but break free and try something different. The Carmenère grape, usually from South America, makes wonderfully concentrated, deep wines full of red fruits and is very fairly priced.

3. Vintages
There is currently a popular argument in the wine world that says that there are no longer any bad vintages, just bad winemakers. Certainly modern wine making technology means that even the worst vintage can produce something very agreeable. Reputable producers around the world can make reliable wines with almost whatever the weather throws at them. So ultimately vintages are not something to get too hung-up about until you're getting really serious about your wine drinking.

4. Food and Wine
The first rule: there are no rules. Endless books have been written on this subject, but you should ultimately have the confidence to drink whatever you like with whatever you what. Finding that right combination is a wonderful goal to aim for - there is no doubt that when you get it right the final result tastes far better than the sum of its' constituent parts. Yet, as Jancis Robinson wrote recently "For every food there is probably the perfect wine to match, but for most of us life will be too short to find it!"

5. Terroir
A French word for which there is no direct English translation, terroir is a frequently used wine term conveying the concept that a wine reflects its place of origin. The famous Bordeaux wine maker Bruno Prats translates terroir to mean: "The coming together of the climate, soil and landscape that makes every vineyard unique". Great wines reflect this vineyard terroir on the nose and palate and an experienced taster can taste a great wine blind and pinpoint the exact vineyard it came from. This sense of place and sense of identity is what makes wines different from all other beverages. It also forms the basis for criticism of many of the new mass-produced supermarket wines that taste the same wherever they hail from - McDonalds wines that many in the wine trade argue shouldn't be called wine at all. Alcoholic grape juice, anyone?

6. New World versus Old World
"Old world" refers to wines hailing from the European countries that have been making them since Roman times: Spain, France, Italy, Germany, Portugal, Austria...even England! "New World" describes wines from countries that are (historically, at least) newer to wine making, such as America, Australia, South Africa, Chile, Argentina and New Zealand. Why are these terms used? They're used to describe a difference in style. Although a horrifically broad generalisation, many New World wines are made in an early drinking, fruity style that perhaps doesn't need too much thought to enjoy. Old World wines (and again, a massive generalisation) can be the work of many generations choosing the right grapes to grow on the right patch of land. The style is more reserved, often to accompany the local cuisine and often needing some age before they are at their best. Of course in reality many Old World wines are fruity quaffers from new vineyards first planted 5 years ago and many New World wines are serious, world-class bottles needing 10 years in the cellar. So why do these terms persist? Marketing. Quality European wines rarely have the name of the grape on the label, preferring the name of the vineyard, village or locality. For them a wine should express the terroir, as well as the varietal character. Many New World winemakers simply say this is an excuse for bad wine. And as Hugh Johnson recently pointed out, European governments love it as it means that, say, a Chardonnay from Burgundy never has to go head-to-head with an Australian Chardonnay, as the wine from Burgundy never mentions the grape!

7. Wine Tasting
Viewed by many as a ceremony shrouded in mystery akin to Masonic initiation, wine tasting has much to live down. At the basic level it has one main difference from wine drinking - thought. With wine drinking you're knocking a drink back, maybe commenting on whether you like it. With wine tasting you’re taking apart a wine to analyse it's components - the smell, taste, acidity, alcohol and tannin. Why bother? Well, suppose you're buying a bottle to go with a special dinner you're planning. It's worth thinking about whether the wine has enough body or tannin to accompany that big beefsteak. Or perhaps you're buying a bottle to keep for a relative’s 21st? Pretty important to judge whether it will keep that long.  And sometimes you really don't need any reason at all. Just like analysing the structure of a great novel or the aspects of a beautiful painting, tasting a wine requires much more appreciation of its facets, something that is often enjoyable just for the pure pleasure of it.

8. How Much To Spend?
The most important lesson here: do not assume that price and rarity have any relation to the quality of the wine in a bottle. Famous and historic producers can sell alcoholic urine and there'll always be some fool who'll buy it so they can put Chateau so-and-so on their dinner table. When deciding what to spend on a bottle it is interesting to consider the fixed costs involved in setting the price. The tax, duty, glass bottle, label, shipping and cork all make up a large part of the cost of a sub-£5 wine, not leaving much for what is actually inside. So the difference between this and a £10 bottle can be well out of proportion to the extra money you are spending. Once you've realised this, it's a very slippery slope as you start seeing £15 bottles as good value! However, you then have to be very careful spending more than £30 on a bottle. As a general rule price doesn't have much influence on quality above this - it's more likely you're paying for the name on the label.

9. Wine Snobs
Sommeliers (wine waiters) no longer make me cringe. Wine snobs do. These are the insufferable breed who generally think Bordeaux is best no matter what, the people who thought Australian wine was just a passing phase. They ignore what their taste buds tell them and still manage to find pleasure in horrifically expensive wines that are sold on former glories or for future auctions. The wine writer Tim Atkin recently suggested the perfect way to deal with such a condescending 'connoisseur'. Just make sure you ask for a glass of cola with your wine. Then calmly take your host's finest Cru Classé and make a little blend of your own with the cola in your wine glass. "Always taste better with a little fizz" you can politely add, as your host's jaw hits the floor.

10. Wine Talk
So you've got this far - now how do you convey your newfound knowledge to impress everyone at formal hall? Keep the following four phrases on the tip of your tongue: "The terroir really shows", meaning that you can supposedly taste that the wine came from the particular vineyard area on the label. "Certainly a food wine", this comment always sounds like a considered judgement of how the wines body, acidity and tannin would match food. Yet it is an essentially meaningless phrase that can be rolled out for most wines. "Good varietal character", this simply means you can recognise the grapes, again something that can be said for most wines. "Have you tried the 1990?" Next time your friend pulls out a bottle of something special, wow them with your extensive tasting experience. It's difficult to go wrong here - 1990 was a legendary year in the majority of Europe's wine regions.

Enjoy
If you take nothing else away from this article, then remember these two final points. Firstly, wine should always be about fun and enjoyment. It's about sharing a bottle with friends around the dinner table and enjoying the evening. Wine should never be put on a pedestal for adoration; in fact it never is in European countries where wine making and drinking is ingrained in the culture. Secondly, wine is subjective. Everybody has different tastes, so have faith in your own and drink wine because you like it, not because a wine writer tells you that you should. Don't be afraid to try new grapes and different styles. After all, life is just too short for boring wine!

Dr J.E.F. Fitzgerald - Copyright 2008

Grape Expectations - Could wine really be the best medicine?

Grape Expectations
Could wine really be the best medicine?

By Dr Edward Fitzgerald


“In vino sanitas” – In wine there is health. Pliny the Elder (AD 23-70)

Imagine a day when the British National Formulary contains a chapter on wine prescriptions. Sounds a little far-fetched? Or perhaps too good to be true! For over 5,000 years wine has been one of mankind’s oldest medicines, a fact sometimes overlooked in today’s high-tech world of medical intervention. Indeed, the strength of the anti-alcohol lobby together with the damages of excess we witness every week serves to remind us of its constant harm; rather ironic given that, after publicans, doctors are by far the most alcoholic profession. Yet recently the Department of Health increased their recommended maximum weekly alcohol limits. Why? A burgeoning mountain of evidence now supports the centuries old notion that sensible alcohol intake actually improves health. In a 1997 BMJ review Sir Richard Doll recalled prescribing an ounce of whisky in the 1930’s for a patient with lobar pneumonia. With credible scientific evidence that alcohol (particularly wine) can ward off a variety of ills, might this day come again?

“Drink no longer water, but use a little wine for thy stomach’s sake and thine often infirmities” 1 Timothy 5:23

Recipes for wine-based medicines appear in Egyptian papyri dating back to 2200BC. Better documented is the work of Hippocrates in ancient Greece, who used wine as a disinfectant for wounds, for sedation, intestinal disease and as part of a healthy diet. Wine was regularly added to water in Roman times to improve hygiene. In medieval Europe, monasteries, schools, universities and hospitals all recognised the benefits of wine, still seen in their ownership of vineyards today. More recently the development of the American “temperance movement” during the 1800 & 1900’s led to a re-evaluation of alcohol in society and its gradual fall from favour as medical treatment – except, perhaps, for doctors themselves!

Thankfully the past 20 years have seen a snowballing of research into the positive health benefits of wine consumption. Since the era of prohibition the idea that alcohol is only harmful has been firmly ingrained in western minds. The late 1970’s saw a turning point with the publication in the Lancet of an epidemiological study by Selwyn St Leger et al. This examined a variety of factors associated with deaths from ischaemic heart disease, and the surprise discovery was a strong negative association between deaths from ischaemic heart disease and alcohol consumption. Interest in this area slowly picked up, culminating in the publication of the now famous “French Paradox” paper in 1992 by Dr. Serge Renaud from the French Health Research agency, INSERM. This highlighted an infuriating fact: the French can stuff themselves silly with saturated fatty foods, smoke 10 Gauloises a day and still have a lower rate of coronary heart disease than other western countries. Again, the main difference between French data and that for other countries was the average wine consumption. This story went on to become international news when the prime-time American NBC televison program “60 Minutes” aired its story of the “French Paradox”. American wine sales went through the roof overnight. Never let it be said that the American public is easily persuaded…

“Wine is the most healthy and hygienic of beverages” Louis Pasteur (1822-1895)

Any study to correlate alcohol consumption and health benefit is extremely difficult. Differentiating between the drinker and the drink poses many problems. In America wine drinking correlates with increased income, itself strongly correlated with increased life expectancy. The wine-rich French diet also contains more fresh fruit, already shown to have a beneficial effect on health. Control non-drinkers may be abstaining for reasons of poor health or conversely to maintain a supposed healthy, fitness-driven lifestyle, both of which can potentially skew results. The addition of the Copenhagen Study to this debate (Gronbaek et al, BMJ, 1995) provided further supporting evidence. This attempted to control many of these variables and followed 13,000 thirty to seventy year-olds over 10-12 years. Their results showed a relative risk reduction in death from 1.00 for subjects who never drank to 0.51 (95% CI 0.32 to 0.81) for those who drank three to five glasses of alcohol a day. With the addition of other epidemiological studies the shear weight of supporting evidence is now sufficient to persuade the most ardent abstainer that a tipple might just tip the balance in their favour.

A pattern has gradually begun to emerge, revealing a U-shaped mortality curve. The risk of death from all causes decreases from subjects who never drink to subjects who drink up to three or four glasses of wine a day, with the risk of death from vascular disease and stroke in these subjects reduced by up to a third. Beyond three to four glasses a day the risks begin to rapidly rise again. Further research has shown that hypertension, kidney stones and peptic ulcer occurrence all follow the same U-shaped curve with a significant benefit for light drinkers. This has prompted far more questions than there are answers. Could alcohol once again be a panacea for our ills? How does it bring about these positive effects? Does it matter what type of alcohol we drink?

The last question has been the subject of much debate mainly due to vested commercial interests. Sales of wines have risen greatly since the it’s health benefits were first promoted and wine makers are all keen to sell their drink as the healthiest. Sir Richard Doll’s review of literature in this area argues that the characteristics of the drink do not change the beneficial effects; these are merely due to the content of ethanol. Studies have shown that ethanol increases levels of HDL cholesterol, reduces blood viscosity by moderating cytokines involved in blood clotting and promotes fibrinolysis. However, several papers now reveal even greater health benefits for wine drinkers. Over recent decades the scientific study of wine, known as oenology, has become an academic subject in its own right. Chemists have started to investigate the thousands of natural chemicals squashed out of grapes to form a glass of wine. Many of these are phenolics, aromatic compounds from grape skins that give wines their distinctive taste and smell. These are more concentrated in red wine, giving it bitterness and astringency and acting as strong antioxidants to give wine its aging potential. It now appears that wine contains many non-alcoholic compounds such as these that confer its extra health benefits.

In 1993 the first evidence came to light that phenolic antioxidant action may work inside the human body and a mechanism for the health benefits of wine began to be formed. Frankel et al showed that that the antioxidants in wine could significantly reduce oxidation of LDL, slowing the development of arterial plaque. Resveratol, epicatechin and quercetin, the newly discovered antioxidant chemicals in wine, are far stronger antioxidants than vitamin E. Attention has focused on the strongest of these, reveratol, perhaps unwisely so. Whilst one study published last year in Cardiovascular Research hailed it as a potent cardioprotective chemical and antiarrhythmic agent, no-one has yet addressed whether it can ever reach physiologically active concentrations in the blood stream. At only 1-2 mg/L, the amount of wine that may have to be consumed to see positive effects could well be harmful in other ways. The body’s absorption of these chemicals is far from understood.

Meanwhile, a vast number of other papers have been published proclaiming the benefits of moderate wine consumption. The vasodilator and antithrombic effects are now thought to be due to quercitin and other potent nitric oxide donors. Animal models show that inhibition of platelet aggregation can be achieved with much lower blood alcohol concentration in dogs receiving red wine than pure alcohol. The historical benefits of wine on digestion and as an antimicrobial were given a scientific basis by Weisse et al in the BMJ, who showed that red table wine could reduce the number of viable salmonella, shigella and Escherishia coli organisms in suspensions by 105 – 106 colony forming units. Finally, a dash of current controversy. The common premise assumes that alcohol is associated with a decrease in bone density. Laboratory based work has shown that alcohol has a damaging effect on bone forming mechanisms. However, population based studies have begun to show otherwise. The Framingham Study suggested that an alcohol intake of two or three daily glasses of wine is actually related to an increased bone density in post-menopausal women. The Rotterdam Study in 1998, whilst not showing a positive benefit to wine consumption, did show that chronic alcohol intake was not adversely related to the rate of bone loss for any category of alcohol intake. Clearly an area for further study.

So the message from research is that light drinkers actually enjoy better health than abstainers. Of course, the beneficial effects cannot be applied across the board – they are dependent on each individual’s risk of developing CHD, vascular disease, etc. in relation to the causes of death aggravated by alcohol. Many of the positive effects of drinking only protect against diseases of the middle-aged or elderly. It must therefore be highlighted that regular alcohol intake during our younger years may actually cause harm before the age where beneficial effects begin. So while our consultants sit back and enjoy a fine 1989 Cornas, medical students may be better off with a 2001 Cola.

“There are more old wine drinkers than old doctors” An old German proverb.

This article makes no attempt to cover up the huge harm alcohol abuse can cause – from liver damage to brain damage, accidents to assaults - the toxic effects of ethanol would render it a controlled substance had it recently been discovered. Many a medical student can testify to the deep psychological trauma alcohol can cause the morning after an Osler House bop when they realise beauty is very much in the eye of the beer-holder.

Seriously, it is well known that the proportion of alcohol abusers is a function of the number of drinkers in society as a whole. The positive health message regarding alcohol must therefore be conveyed with care, as the important point that only moderate consumption brings health benefits can easily be overlooked. Put simply, this article hopes to promote a favourable view of moderate wine consumption and the health benefits it confers. At the end of a hard day, uncorking a nice bottle of wine is in itself relaxing – good food and company adds to the enjoyment. Regardless of biochemical evidence and physiological proof this must surely be good for your health. In the words of Alexander Flemming: “Penicillin can cure the ill, but only wine will make them happy”.


Acknowledgments
My thanks to Oxford University Wine Society (www.oxforduniversitywinesociety.com) for the loan of materials referenced in this article and the provision of copious wine to aid its flow.

 

References

1.    St Leger AS, Cochrane AL, Moore F. Factors associated with cardiac mortality in developed countries with particular reference to the consumption of wine. Lancet 1979 12;1:1017-20
2.    Renaud S, de Lorgeril M. Wine, alcohol, platelets and the French paradox for coronary heart disease. Lancet 1992 20;339:1523-6.
3.    Waterhouse AL. Wine and heart disease. Chemistry & Industry 1995 May;338-341.
4.    Gronbaek, M et al. Mortality associated with moderate intake of wine, beer or spirits. BMJ 1995;310:1165-1169.
5.    Doll R. One for the heart. BMJ 1997;315:1664-1668.
6.    de Lorimier, AA. Alcohol, wine and health. American Journal of Surgery 2000; 180:357-361.
7.    Hung LM, Chen JK, Huang SS, Lee RS, Su MJ. Cardioprotective effect of resveratrol, a natural antioxidant derived from grapes. Cardiovascular Research 2000; 47:549-555.
8.    Frankel EN, Kanner J, German JB, Parks E, Kinsella JE. Inhibition of human low-density lipoprotein by phenolic substances in red wine. Lancet 1993;341:454-7.
9.    Demrow HS et al. Administration of wine and grape juice inhibits in vivo platelet activity and thrombosis in stenosed canine arteries. Circulation 1995;91:182-8.
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This paper was previously published in Oxford Medical Gazette volume 52(2).
Dr JEF Fitzgerald - Copyright 2008 (ISSN: 0030-7661)

Beginner’s Guide to White Wine Grapes

Beginner’s Guide to White Wine Grapes

Introduction
After the vineyard site has been chosen, the starting point for any wine is the grape variety selected by the winemaker. This alone is the most important factor determining the character of the liquid swilling around in our glasses. To the complete beginner the familiar names of Chardonnay or Shiraz may represent the first tentative steps into the world of wine - but do you know what tastes and aromas to expect from the bottle? Discovering your personal wine tastes and the art of matching food & wine all depend on a basic knowledge of grape varieties. A little background reading in this area should be the starting point for all newcomers to wine, and will soon reap its rewards…

Varieties of vineThere are 20 or so different varieties of vine within the genus Vitis, but only one, Vitis vinifera, is capable of producing decent wine with any regularity. Vitis lambrusca is a wilder variety that is grown in some parts of the Eastern USA but invariably produces disappointing wine. Vitis rupestris is a parent of many commercially important rootstocks due to its resistance to Phylloxera – the troublesome little bug that infests the roots of vines and decimated the French vineyards in the 1860s and Australian vineyards in the 1880s.

There are about 5000 varieties of Vitis vinifera. We are not going to describe them all – partly because we’re lazy but mainly because only 60 or so of these varieties will produce wines with a recognisable and enjoyable flavour. Of all of the factors that can influence the character of a wine – such as soil type, viticulture, microclimate and time of grape picking – the most easily detected is the variety of grape. This guide aims to introduce you to some of the commoner grapes you are likely to encounter.

Common White Grape Varieties

Chardonnay
This ubiquitous, fashionable white grape is now found growing in almost every wine producing country. However, this popularity can make it hard to define due to the myriad variations in soil type, climate, clone and viticulture that influence the final wines. Chardonnay is particularly user-friendly to the winemaker, growing almost anywhere and able to be moulded into various styles ranging from classy long-lived white Burgundy, to Champagne, to rich buttery Aussie whites. The flavours associated with Chardonnay depend upon the winemaking. While there is an enormous amount of non-descript peachy, oaky dry white made from the grape, better examples taste of lemon, green apples and grapefruit in unoaked and lightly oaked styles, through to melon, white peach and cashew nuts in medium-bodied wines, and on to rich butter and toast in the barrel-fermented or barrel-aged wines. Chardonnay may also be put through malolactic fermentation - when harsh malic acid (think green apples) is converted to lactic acid - thus giving the wine a more creamy finish. While many Chardonnay aficionados look to Burgundy for their tipple, there are a number of producers in other countries that arguably make wines of similar complexity at more reasonable prices. South African stars include Vergelegen, Rustenberg, De Wetshof, Hamilton Russel, and Bouchard Finlayson, while great Aussie wines are made by Leeuwin Estate, Petaluma and Coldstream Hills, among numerous others.

Colombard
Widely grown in California and South Africa (where it is also known as Colombar), the origins of this grape stem from its’ distillation for the famous brandies of Cognac and Armagnac in France. Its susceptibility to rot in France’s moderate climate led to the decline in plantings for still wine production. However, the hot climates of California and South Africa have welcomed the grape, where it produces plain, crisp, dry whites. These are often blended with Chenin Blanc or Chardonnay.

Chenin Blanc
Chenin blanc is one of the mainstays of the Loire Valley in France, and is the most widely planted variety in South Africa (where it is occasionally called Steen), with a few wines hailing from California, Australia, and New Zealand. When made well, Chenin Blanc wines can taste superb, but often they are unripe, flabby, or over-sulphured. The grape has a naturally high acidity and thus lots of sun is required to bring out the fruit flavours. Chenin Blanc is very versatile and can be used to produce sparkling wines or dry, demi-sec and sweet still wines. The latter wines from Vouvray, Bonnezeaux, Quarts de Chaume, Jasnières and Coteaux du Layon in France’s Loire Valley, can have incredible sublime flavours of beeswax, marzipan, honey, pralines and spice with a tremendous capacity to age. South Africa also occasionally makes great long-lived sweet wines. In the New World Chenin is often used to bulk up blended white wines, as it is often fairly neutral, fruity stuff.

Gewürztraminer
One of the most easily recognised grapes, both on the vine and in the glass. The grapes are characteristically pink while the wines have an unmistakable aroma of flowers and spice (in German Gewürz means spice), flavours of lychees, rosewater, ginger, and cinnamon, and an oily mouthfeel. Good Gewürztraminer is so obvious that people either love it or hate it. Unfortunately, most Gewürz is drunk as a sweet blend with Riesling and, while this is a fabulously easy-drinking style, it does not let the true nature of the grape shine through. The best examples, from Alsace and Germany’s Pfalz region, are dry wines that combine the amazing perfume with a complex spicy palate, and make perfect partners to Asian food. To experience truly outstanding Gewürztraminer wines, try a late harvested (vendange tardive) or botrytised example (sélection des grains nobles) from Alsace, both of which are unctuously sweet. Outside these regions, Gewürztraminer is also grown widely in Italy and Austria, with New World plantings in California, Chile and New Zealand.

Grenache BlancThe white grape sister of the red-skinned Grenache Noir. While originally a Spanish variety (where it still play a role in north-eastern whites from Rioja, Navarre, etc.) this grape is now most widely planted in France’s Rhône Valley (especially as the most important grape in white Châteauneuf-du-Pape) and Languedoc-Roussillon. Frequently blended with other southern French varietals such as Marsanne and Viognier, the grape can produce good quality, fat, richly flavoured wines.

Marsanne
Not one of the most widely-seen varieties, but justifies inclusion due to its importance as a key grape in the white wines of the Rhône Valley. It has a floral, herby, limey flavour and is quite aromatic (again floral). In the Rhône, Marsanne is usually blended with a host of other white grapes, as in the long-lived Hermitage wines, or may even be blended with Syrah to give red wines a floral lift. Marsanne may also be encountered as a varietal, especially from Aussie producers in the Goulbourn Valley (Chateau Tahbilk or Mitchelton), and in this guise it can age well to produce wines with intense honeysuckle aromas.

Muscat
The dead-giveaway for wine made from grapes of the Muscat family is that they actually smell of grapes. In those areas where Muscat is made into dry table wines - northeast Italy, Southern France, and Alsace - flavours and aromas of grapes, apples and mandarins may be encountered. Muscat grapes are also used to produce fizzy styles of wine, as in Asti, Moscato d’Asti and Clairette de Vie. However, to my mind, the most exciting Muscats are the sweet ones. There are two styles of sweet Muscat - the unfortified, as in Moscatel de Valencia (Spain), and the many fortified wines of Australia, the Rhône (notably Muscat de Beaumes-de-Venise) and Southern France. The Australian examples in particular can taste strongly of raisins and Demerara sugar, while French vins doux naturels may have more barley sugar and orange character.

Pinot Blanc
Pinot Blanc could perhaps be likened to a light, unoaked Chardonnay, without the upfront fruit. If over-cropped it can produce very neutral, acid wines – a perfect base for sparkling wines such as Crémant D’Alsace. However, good examples of still Pinot Blanc wines from Alsace or Italy (where it is known as Pinot Bianco) are attractively creamy, often with a nutty flavour. Germany also produces some Pinot Blanc, known as Weissburgunder, but the majority of Californian Pinot Blanc is actually Muscadet.

Pinot GrisThis grape is also known as Tokay Pinot Gris, but bears no relation to the Tokay found elsewhere in the world (Hungarian Tokaji being made from a variety of grapes, while Australian Tokay is Muscadelle). In Italy, Pinot Gris (called Pinot Grigio) is used to made light-bodied, fairly neutral wines that are good partners for seafood. Alsace vignerons make an entirely different beast of a wine - most is dry, full-bodied, aromatic, spicy stuff, while some is beautiful, sweet late harvested (vendange tardive) or botrytised (sélection des grains nobles) with a characteristic smoky smell. A number of wineries in Oregon, Australia and New Zealand are experimenting with this variety.

Riesling
Without doubt the king of white grapes, and one that best reflects terroir (the special vineyard combination of soil, climate, aspect etc. that gives a wine its’ particular character). Yet despite this it remains surprisingly unpopular on the world market. The grape has a high acidity and is best without the influence of oak. It can be grown in a wide variety of climatic conditions and is susceptible to infection by Botrytis, thus leading to a huge variety of different styles. The best examples hail from Germany, usually from the slate soils of the Mosel and Rhine. These typically have a low alcohol (~8%) and very fresh taste of crunchy green apples, lime, flint, and floral notes. The advanced honeyed fruit flavour (and occasional petrol nose - not a fault!) of mature German Riesling is deliciously memorable. New World examples from hot climates have noticeably higher alcohol levels and much bolder fruit flavours of lime and passion fruit, though easily become too fat. Australian examples often develop a very strong kerosene nose after a few years in bottle - a trait not to everyone’s liking. Irrespective of its origin, all Riesling should have a racy balanced acidity, which confers good quality wines with substantial capacity to age.

Sauvignon Blanc
If you like really fresh and clean wine then you’ll love Sauvignon Blanc – the perfect antidote to fat, over-oaked Chardonnay. The best Sauvignon Blanc is produced in cool areas, where the grapes retain enough acidity to make great crisp, zingy whites. The two main strongholds are the Loire Valley in France, and New Zealand (Hawkes Bay and further north in the North Island and Wellington regions in the South Island). Wines from North Island New Zealand tend to be richer, with more passionfruit and gooseberry character whereas those from the South Island, particularly Marlborough, are often ‘greener’, with blackcurrant leaf aromas and flavours of green pepper and cut grass. The Loire wines, such as those of Sancerre and Tourraine, are typically more subdued, displaying flavours of nettles and asparagus, and often smelling quite strongly of cat’s pee on a gooseberry bush (a classic description - just try to imagine it!) South Africa and Chile also make some nice wines. While most Sauvignon Blanc is drunk as an unoaked varietal, it may also be encountered as an oaked varietal or as a blend. The oaked wines, such as Cloudy Bay’s Te Koko are slightly softer, with a smoky edge and creaminess. Sauvignon Blanc is often blended with Sémillon and has become a regional speciality for Margaret River in Western Australia. The grape may also be blended with a range of other varieties, such as Chardonnay and Viognier, in Southern France.

Sémillon
There are two main homes for this variety. In Bordeaux it is used both for dry wines (often blended with Sauvignon Blanc) and sweet botrytised Sauternes (blended with Sauvignon Blanc and Muscadelle). Secondly, in Australia, where it is also used for dry wines, both oaked (Barossa Valley) and unoaked (Hunter Valley), and for amazing botrytised styles from Riverina. The thin skin of this grape makes it particularly susceptible to Botrytis cinerea infection, making it the perfect starting point for some of the world’s finest dessert wines. Good sweet Bordeaux and Aussie Sémillons are bursting with flavours of candied peel, but many suffer from being over-sulphured. The hallmark flavours of dry Sémillon are lemon, beeswax and honey. The unoaked Australian wines of the Hunter Valley are especially noteworthy, which, although taking between 10 and 20 years to develop, can show incredibly complex flavours of toast, lanolin and honey - almost tasting oaked.

Viognier
Pronounced vee-yon-ee-ay, this grape is an absolute stunner. Originally hailing from the tiny Northern Rhône appellations of Condrieu and Château Grillet, Viognier produces rich, memorable wines bursting with musky peach blossom aromas and a palate of apricots and spice. The vine is a poor yielder and difficult to grow. This, coupled with demand for wines from these two appellations, makes for rare and expensive wines. Luckily Viognier is rapidly becoming fashionable and is now grown in a whole host of countries such as Australia, California, Chile and South Africa. Unfortunately, a lot of these wines are pretty plain. To be guaranteed a decent, affordable example, try Fairview from South Africa, Yalumba from Australia, Chile’s Cono Sur, or Fetzer from California.

© James Warbrick-Smith & Edward Fitzgerald

Beginner’s Guide to Red Wine Grapes


Beginner’s Guide to Red Wine Grapes

Common Red Grape Varieties

Barbera 
This is natively a Piemontese grape from the north-west of Italy, but is now just about the most prolific variety across the country. It has gorgeously round, plummy fruit but also shows a high level of natural acidity that has no doubt helped its popularity in warmer climates. Over-production on the vine encourages acidity, but top wineries with low yields are producing beautiful, balanced wines. Great examples of Barbera are now also coming from South America and certain Aussie producers, notably Brown Brothers. Barbera also blends nicely with Cabernet Sauvignon or Sangiovese.

Cabernet Franc
Most will have drunk Cabernet Franc without even realising it, as one of the five varieties legally allowed in Bordeaux reds (the others being Cabernet Sauvignon,Merlot, Malbec and Petit Verdot). Cabernet Franc suffers from an image problem in comparison to its cousin, Cabernet Sauvignon , which is a crying shame as it is capable of producing very attractive wines. Typically having lighter colour and less dominant tannins than Cabernet Sauvignon, Cabernet Franc produces fragrant, slightly green wines with more than a hint of blackcurrant leaves. To taste pure Cabernet Franc at its best, head for the wine of Bourgueil, St-Nicolas de Bourgeuil, Chinon and Saumur in France’s Loire Valley. These light wines have great berry flavours and are lovely served slightly chilled. The grape is rarely seen in New World varietal wines but often makes an appearance with Cabernet Sauvignon and/or Merlot in areas such as California or Australia’s Margaret River.

Cabernet Sauvignon
This grape is planted just about everywhere that wines can be made (with the exception of really cool areas that don’t provide this late-ripening variety with enough sun and warmth to ripen sufficiently). Cabernet Sauvignon (Cab Sav) grapes have relatively thick skins, which impart a deep colour and flavour to wines and give them a strong tannic backbone that can bend gracefully with age. The best examples have a distinct blackcurrant flavour, with hints of cedar wood, pencil shavings, cigar boxes, and violets. If grown in marginal, cool, areas the wines can have a hint of leafiness or green peppers. Cabernet Sauvignon seems to have a natural affinity for French oak, which brings out the fruit and spice nuances of the grapes, although certain Australian Cab Savs, notably those from the Barossa and Coonawarra may be aged in American oak, which gives them luscious vanillin smoothness. Bordeaux is undeniably the home of Cabernet Sauvignon, where it is it blended with other grapes to a greater or lesser degree (the wines of Pauillac are dominated by Cabernet Sauvignon). Other fine examples are available from Spain (Navarra), Bulgaria (Suhindol), California, South Africa, and Australia, where Margaret River is challenging Coonawarra for the title of best Cabernet Sauvignon region. Although Cabernet Sauvignon is often drunk as a pure varietal, some examples are somewhat ‘hollow’ in the middle palate and for this reason it is often blended with Shiraz or Merlot, both of which help to give add more character and complexity.

Dolcetto
This is another Italian native of Piedmont but, unlike Barbera and Nebbiolo, both of which benefit from bottle aging, Dolcetto has light tannins and is meant to be drunk within a few years of vintage. An early ripening, low-acid red, it produces vibrantly soft and fruity wines with liquorice, bitter almond and black cherry flavours. As with many other Italian varieties, a number of Aussie producers are starting to have considerable success with this grape.

Gamay
Gamay will never make a massive tannic beast of a wine but produces deliciously vibrant, pear-drop scented, light reds. Gamay is the sole red grape of Beaujolais in South Burgundy. Here the grapes undergo carbonic maceration (fermentation takes place in whole bunches of grapes, under a carbon dioxide seal and in the absence of yeast) to produce wines with very little tannin and smooth fruit flavours of berries and even bananas that are best-drunk young. For better wines head for the 38 communes grouped under the Beaujolais Villages appellation or step even further up the ladder for one of the 10 Beaujolais crus (Brouilly, Chénas, Chiroubles, Côte de Brouilly, Fleurie, Juliénas, Morgon, Moulin-à-Vent, Régnié and St Amour). Other good Gamay wines are produced in California, South Africa and Australia.

Grenache
Perhaps surprisingly, this is the world’s second most widely planted grape variety, growing across huge areas of southern France, Spain (where it is called Garnacha) and Australia. This is a very high-yielding variety, and if over-cropped, can produce thin wines with little character. However, if subjected to fairly heavy pruning and even bunch-thinning the vines produce fruit that makes dense, peppery, earthy wines. In Rioja, Garnacha is blended with the more austere Tempranillo, and in nearby Navarra it is by the far the dominant grape variety and is used to make much lighter styles. In France, Grenache appears in two guises – in age-worthy vin doux naturels such as Banyuls and Rivesaltes, and in the spicy wines of the southern Rhône and Midi. In the Rhône valley, Grenache is used, either as a varietal or blended, to produce reds such as Châteauneuf-du-Pape, Gigondas and Vacqueras and also rosés in Lirac and Tavel. Due to its affinity for warm climates, Grenache is often grown in the New World but is typically over-cropped and under-rated. Only recently have a handful of Australian vignerons paid due attention to their gnarled old Grenache vines and are making some great wins such as Charles Melton’s NinePopes and Rose Of Virginia. Grenache tends to produce wines with high alcohol content.

Malbec
Malbec is officially one of the five Bordeaux red grape varieties but is playing an increasingly smaller part in the blends. This is largely because it is prone to poor fruit set and is susceptible to rot, frost and downy mildew (the same difficulties are encountered when growing Merlot). It is, however, also widely planted in Argentina, the Loire (where it’s known as Côt), Cahors (known as Auxerrois) and Australia. The wines have a spicy, earthy, almost rustic quality, and can be particularly dark in colour.

Merlot
Merlot, when grown under decent conditions, has an inherent plummy, silky suppleness that can make great varietals or else is blended, typically with Cabernet Sauvignon, to produce less aggressively tannic wines that are more approachable when young. However, as with Malbec, Merlot is very sensitive to growing conditions (and as such it seems crazy that so much Merlot is being planted on unsuitable land in California’s Central Valley). Merlot dominates Bordeaux blends in all appellations except the particularly well drained soils of the Médoc and Graves, and is especially prominent in the silky wines of Pomerol and St-Émilion. There are huge amounts of Merlot planted in northern Italy, where is produces thin, vaguely fruity wines. The variety is also important to Italian vignerons in Switzerland but quality is highly variable. Other notable growing regions include Hungary, Romania, Bulgaria and Moldova. Outside of these traditional strongholds winemakers have been slow to utilise Merlot, particularly in warmer Mediterranean areas where the lack of acidity in the grapes can tend to produce flabby wines. That said, Merlot produces some lovely plummy wines in Chile and is starting to look interesting in New Zealand.

Nebbiolo
Also known as Spanna, Inferno and Grumello. This small, thick-skinned Piemontese grape from northwest Italy produces the famously individual, tannic, acidic and brutish wines of Barolo and Barbaresco. Notably late ripening, this is often left on the vine well into October. These wines are almost undrinkable when young but after 4 years in bottle they mature into perfumed (roses, bitumen, roasting meat), complex, full-bodied and expensive reds (Barolo is the ‘larger’ of the two wines). There are experimental plantings in the New World regions, though for now Nebbiolo remains an Italian classic.

Pinot Noir 
Chardonnay and Pinot Noir are the two grapes of Burgundy, but whereas Chardonnay is kind to both producers and drinkers, Pinot Noir can be a nightmare to cultivate – growing well on one hill but failing miserably on the next. In Burgundy the main problem tends to be a lack of sufficient warmth, resulting in thin wines with little tannin to help them age gracefully. The opposite problem can afflict New World producers – excessive heat can lead to jammy, characterless wines. However, if you find a good bottle of Pinot Noir it can entirely seduce you with its velvety, berry-fruit flavours and farmyard/undergrowth/game undertones! Burgundy produces some beautiful wines but you will have to pay dearly for the quality. Elsewhere in France, head for the Loire (Sancerre rouge or rosé) or Alsace. Italy makes a few good examples, otherwise try Australia (Mornington Peninsula, Gippsland, Yarra Valley – best are Bass Philip and Mount Mary), New Zealand (Martinborough), Oregon and Chile. Pinot Noir also makes an appearance in Champagne, where it is often used to add length and body to the blend of Chardonnay and Pinot Meunier.

Sangiovese
As Italy’s most common grape, this is responsible for many of the wines of Tuscany (particularly Chianti), Brunello di Montalcino, Emilia-Romagna and a host of popular Vino da Tavola wines. Sangiovese can produce lightly fragrant wines with a distinct bitter cherry taste, tight tannins (best enjoyed with food) and the capacity to age. Blending often softens its austerity. Varietal Californian examples are a bit disappointing but Australia is doing well, particularly in warm areas such as McLaren Vale (where it is sometimes blended with a little Cabernet Sauvignon).

Syrah
There are two main strongholds for this stunning grape: The Rhône Valley, where it is known as Syrah, and Australia, as Shiraz. In both areas Syrah is famous for producing big spicy blockbusters, exemplified in the Rhône by Hermitage and Côte Rôtie (sometimes blended with up to 20% Viognier (a white grape) to give a hedonistic perfumed nose of orange peel, cinnamon and plums). These wines tend to have an intense, almost inky black colour, and are capable of considerable aging. It was fortunate that one of the founding fathers of the Australian wine industry, James Busby, visited the Rhône in the early 1800’s as Shiraz loves the warm Australian climate and is now the country’s most planted variety (though Chardonnay produces a higher volume of wine). Some table wine was made with the early Shiraz plantings although the majority was used to produce fortified wines such as port. When Australia’s fortified wine exports declined in the 1950’s and 1960’s there was such a glut of Shiraz grapes that many old vines were torn from the ground and grapes were even made into muffins! Then people started to clamber over the handful of Shiraz wines that had been produced during the difficult periods and a new style was born. The really big Australian Shiraz wines hail from Barossa Valley, Eden Valley, McLaren Vale, and Clare Valley, with slightly more elegant wines coming from Coonawarra, Margaret River, the Grampians, Bendigo and Langhorne Creek (among others). Shiraz can produce far more than spicy fruit-bombs - it also produces some leaner reds with white-pepper characters in cooler areas and is also used to make superb sparkling reds that are great partners for chocolate, fruit desserts or duck. Shiraz has a great affiliation with American oak, giving the wines an unctuous vanilla richness and full mouthfeel. French oak can also be used and this tends to let the fruit shine through, exaggerating the spice notes. South Africa produces a few good Shiraz wines, as does California, but neither of these areas have been able to produce wines that have the concentration or character of the Australian wines. New Zealand is starting to produce some very interesting examples.

Tempranillo
Grown throughout Spain under various pseudonyms (Cencibel, Tinta de Toro), this grape forms the backbone of famous Iberian wines such as Rioja and Ribera del Duero. Its ability to thrive in the most unfavourable climates has led to Tempranillo now being cultivated in nearly all major red wine producing regions. A versatile grape, Tempranillo can produce light, early drinking wines right through to full-bodied, ageworthy styles. Its thick skin is largely responsible for the latter, giving deep coloured, tannic wines with tobacco, spice and strawberry flavours. It is most often found in blends with juicier varieties (commonly Grenache) and takes well to oak giving the smooth vanilla notes commonly found in the wines of Rioja.

Zinfandel
The origins of American Zinfandel are unclear, though DNA testing has shown it to be related to Italy’s Primitivo variety from the southern region of Puglia. It has now become California’s very own grape variety, producing port-style fortified wines, sweet ‘blush’ rosés (produced by blending with white Muscat) and big ‘Zins’ red-berry, blueberryfruited reds. Many everyday wines hail from Central Valley, with the finest bottles being produced in Sonoma. Since the 1980’s there has been a considerable improvement in the quality of red Zinfandels and many are capable of medium term cellaring. Cape Mentelle, in Australia’s Margaret River region, produces a dark, rich, fruitcake Zinfandel and fledgling plantations are appearing in South Africa and South America.

© James Warbrick-Smith & Edward Fitzgerald